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Ike Quebec (August 17, 1918 – January 16, 1963) was an American jazz tenor saxophonist. Critic Alex Henderson wrote, "Though he was never an innovator, Quebec had a big, breathy sound that was distinctive and easily recognizable, and he was quite consistent when it came to down-home blues, sexy ballads, and up-tempo aggression."〔(Henderson, Alex, "Ike Quebec" from Allmusic.com ) URL accessed January 26, 2007〕 ==Biography== Born Ike Abrams Quebec in Newark, New Jersey, and an accomplished dancer and pianist, he switched to tenor sax as his primary instrument in his early twenties, and quickly earned a reputation as a promising player. His recording career started in 1940, with the Barons of Rhythm. Later on, he recorded or performed with Frankie Newton, Hot Lips Page, Roy Eldridge,〔(Campbell, Robert L.; Bukowski, Leonard J. and Büttner, Armin "The Tom Archia Discography" )〕 Trummy Young, Ella Fitzgerald, Benny Carter and Coleman Hawkins. Between 1944 and 1951, he worked intermittently with Cab Calloway. He recorded for Blue Note records in this era, and also served as a talent scout for the label (helping pianists Thelonious Monk and Bud Powell come to wider attention). Due to his exceptional sight reading skills, Quebec was also an uncredited impromptu arranger for many Blue Note sessions. Due in part to struggles with drug addiction (but also due to the fading popularity of big band music), Quebec recorded only sporadically during the 1950s, though he still performed regularly. He kept abreast on new developments in jazz, and his later playing incorporated elements of hard bop, bossa nova, and soul jazz. Quebec also occasionally recorded on piano, as on his 1961 ''Blue & Sentimental'' album, where he alternated between tenor and piano, playing the latter behind Grant Green's guitar solos. In 1959 he began what amounted to a comeback with a series of albums on the Blue Note label. Blue Note executive Alfred Lion was always fond of Quebec's music, but was unsure how audiences would respond to the saxophonist after a decade of low visibility. In the mid-to-late 1950s, Blue Note issued a series of Quebec singles for the juke box market; audiences responded well, leading to a number of warmly-received albums. Quebec's comeback was cut short by his death from lung cancer. Quebec's cousin Danny Quebec West was an alto saxophonist who, at the age of 17, recorded with Thelonious Monk on his first session for Blue Note in 1947.〔Kelley, Robin D. G. ''Thelonious Monk: the Life and Times of an American Original''. London: JR Books, 2010, p. 126.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ike Quebec」の詳細全文を読む スポンサード リンク
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